But yesterday we went to the newly opened Garage (** ) for an Ilya Kabakov exhibit... when an MA student, I wrote a paper on his 1992 installation The Toilet, but never expected to have a chance to see his work in person. He has always had a complicated relationship with nostalgia (maybe that's true of all Russians born in the twentieth century). The new work too shows this. And I missed his rich anthropology; the space was quite sterile. Creating a fictional biography through a staged art exhibition, rather than a domestic interior, eliminates so much interesting detail.
A. and I heard a Rimsky-Korsakov program at the Conservatory this weekend, too. Such eagerness, serious excitement, among the audience, and at intermission, feverish discussion in the long lines for the toilets. (Again a building with tattered dignity: magnificent chandeliers, floor tiles simply missing.) The ebullient woman who came onstage to introduce each piece (earrings worthy of a Central Asian princess, and an interesting sheer black sequined smock, like a cafeteria apron for evening) made us feel as if we were tightly knit with everyone else in the auditorium, which felt smaller, we were together just for a while, witnesses to something very special.
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Sorry -- meant to insert a link above:
http://ru.wikipedia.org/wiki/Центр_современной_культуры_«Гараж»
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